Showing posts with label Comic Book Comics. Show all posts
Showing posts with label Comic Book Comics. Show all posts
Saturday, February 22, 2014
Wednesday Theology Condensed: Language and Characteristics of the Format
"Part of the problem stems from the fact that language is not static. Language changes, grows, fluctuates, and evolves. Elizabeth Johnson says that 'words about God are cultural creatures.' God may not change, but our ways of speaking of God surely do. Particularly, as Christianity spread through the world its language adapted from Greek to Latin and onward to other languages. Few people, when they proclaim the name of Jesus, take the time to reflect on how nobody used that particular pronunciation of his name to refer to Jesus during the New Testament period. 'As cultures shift, so too does the specificity of God-talk,' says Johnson."
What does all this mean? If we are going to use graphic literature to talk about God, we need to know how the language of graphic literature works.
Tuesday, March 13, 2012
Trivial, Simplified Matter
Art Spiegelman: What happened in Maus was the absolute shock of an oxymoron: the Holocaust is absolutely the plast lace one would look for something to be made in the form of comics, which one associates with essentially trivial, simplified matter.
Boy: Hey! You got your comics in my Holocaust!
Girl: You got your Holocaust into my comics!
Comic Book Comics #6
by Fred Van Lente and Ryan Dunlavey
Wednesday, March 7, 2012
Intellectually Subnormal People
Alan Moore: I think there were a surprising number of people out there who secretly longed to keep up with the adventures of Green Lantern but who felt they would have been socially ostracized if they had been seen reading a comic book in a public place.
With the advent of books like Watchmen, I think these people were given license by the term graphic novel. Everybody knew that comics were for children and for intellectually subnormal people, whereas graphic novel sounds like a much more sophisticated proposition.
Comic Book Comics #5
by Fred Van Lente and Ryan Dunlavey
Tuesday, March 6, 2012
Page Layout as Narrative Tool!
Winsor McCay[...]
...He began to vary panel sizes to give visual emphasis to his narrative!
Little panels to focus in on small, intimate actions...
...Big panels for dramatic actions or epic reveals!
Artists learned they could pace cartoon stories to their own internal rate just as writers could use different phrase and sentence length to set an internal cadence for their prose!
- Comic Book Comics #1
by Fred Van Lente and Ryan Dunlavey
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